OK let’s get going then, these are recent and subtle ones, some of my favourite. For more classic ones, check IRCAM’s database, Brahms (http://brahms.ircam.fr/ <http://brahms.ircam.fr/>) which might give you hundreds
Alex Harker’s Fluence, where the algorithmically composed ‘fixed media’ follows the clarinet through real-time description (but so much more too!) http://www.alexanderjharker.co.uk/Releases.html <http://www.alexanderjharker.co.uk/Releases.html> Sam Pluta’s latest trombone piece for RAGE THORMBONES - they literally play descriptors through mic’ed mutes - http://www.sampluta.com/compositionMatrixForGeorgeLewis.html <http://www.sampluta.com/compositionMatrixForGeorgeLewis.html> Aaron Einbond’s abuse and subversions of CataRT in the last 10 years - check his website. https://aaroneinbond.wordpress.com/projects/ <https://aaroneinbond.wordpress.com/projects/> If I may, my last 7 pieces all use descriptor-based real-time granulation (and sometimes musaiking) which allow me to analyse a ring-buffer and then compose the granular process (i.e. swarms of quiet pitched material, or pulsed loud transient echos, etc). I talk about it a bit here in an informal talk about calibration (to allow such use, one has to think of ways to normalise input!) https://www.youtube.com/watch?v=QhjeoCwqed0 <https://www.youtube.com/watch?v=QhjeoCwqed0> and in this paper (http://eprints.hud.ac.uk/id/eprint/33478/ <http://eprints.hud.ac.uk/id/eprint/33478/>) I can put you in contact with those people off-list, should that help you, but again these are just personal favourites (and subtlest), there are a lot of pieces doing things like that to various degree of success. Good luck! p > On 7 Mar 2020, at 21:03, Vinicius Cesar <[email protected]> wrote: > > > Dear Pierre, > > I mean machine listening as the retrieving of musical and sound attributes > through audio descriptors. From simple implementation like pitch and envelop > tracking to more complex methods involving audio descriptors like MFCC, > spectral centroid etc. I'm looking for mixed works that makes use of these > type of process to create interaction between instrumental writing and > electroacoustic process. > > On Sat, Mar 7, 2020 at 3:23 PM Pierre Alexandre <[email protected] > <mailto:[email protected]>> wrote: > Dear Vinicius > > There are a lot of works doing so indeed! Maybe if you define a threshold of > what you considering machine listening, that would help me point at various > works in various places? > > p > > > On 7 Mar 2020, at 18:10, Vinicius Cesar <[email protected] > > <mailto:[email protected]>> wrote: > > > > > > Hello, > > > > My name is Vinicius, I am a brazilian composer. I am currently working on a > > master research at the Estate University of Campinas in São Paulo, about > > compositional strategies and interactive music system in mixed works, and > > I'm looking for mixed works that makes use of machine listening/music > > information retrieval. It can be pieces for any instrumentation, but must > > be notated in score. > > If someone has pieces with these characteristics or knows some composer > > that works with this kind of music, contact me, please! > > > > All the best, > > > > Vinicius > > > > _______________________________________________ > > [email protected] <mailto:[email protected]> mailing list > > UNSUBSCRIBE and account-management -> > > https://lists.puredata.info/listinfo/pd-list > > <https://lists.puredata.info/listinfo/pd-list> > > University of Huddersfield inspiring global professionals. > [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterMarch2019.jpg > <http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterMarch2019.jpg>] > > This transmission is confidential and may be legally privileged. If you > receive it in error, please notify us immediately by e-mail and remove it > from your system. If the content of this e-mail does not relate to the > business of the University of Huddersfield, then we do not endorse it and > will accept no liability. > _______________________________________________ > [email protected] mailing list > UNSUBSCRIBE and account-management -> > https://lists.puredata.info/listinfo/pd-list
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