[EMAIL PROTECTED] wrote:
>
> And because they see nothing "wrong" in their white approach to shooting
> black skin, they do a terrible injustice to their dark skinned clients.
> *Please, no need to say "I know how" or "not me" or worse: "there's no
> difference in shooting black skin and white skin."
> Yeah, right!
Hey, I've done it myself...didn't know I could do anything about it
other than try and soften up the light source.
Luckily the natural light shots have looked good.
>
> Whew! First lessons on how to shoot black people are over.
Thanks, wish I'd had this last year.
Funny thing is that I've seen this discussion come up in various places
over the last couple of years, but hadn't heard any advice like that.
>
> The PORTRA *VC* emissions have all the sins of regualr "pro" or amateur color
> films in that they "go for the glow" (tan).
Emissions, hah!
Well, this looks good on many of my clients, though I've been leaning on
the NC version lately to help with high contrast situations.
Portra really needs the right paper to look good.
>
> Mafud, pulling on his Kevlar bulletproof protective armor, slips quietly out
> the side door.
No need, this is a good post.
tv
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