Me. You end up with upper portion of the frame broken in two, limiting the
travel of the viewers eyes at least momentarily, and the visual
interruption forces you to deal with "the face".
Dan Scott
[EMAIL PROTECTED]
>How many of you head-and-shoulders shooters crop this way? I
>was shooting the street yesterday, and decided to experiment
>with that cropping technique in aa few instances. Damned if the
>viewfinder image didn't seem stronger when getting in close. I
>guess it allows for greater emphasis on facial features. IAC,
>I'm going to continue exploring that technique.
>--
>Shel Belinkoff
>mailto:[EMAIL PROTECTED]
>My best work is often almost unconscious
>and occurs ahead of my ability to understand it."
> -Sam Abel; "Stay This Moment"
>
>-
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