On 14 Feb 2001, at 10:21, John Francis wrote:
> Standing at the back of the club with a 300/2.8 isn't inconspicuous,
> but at least that way shutter noise isn't a problem. I've found that
> using the 50/1.4 gets me too close to be really comfortable, although
> those extra two stops are really nice under typical club lighting. The
> ideal lens would be an 85/1.4, but I don't own one of those (yet ...)
That's why God er.. um.. Pentax produced the A*135f1.8, the best concert
lens..
Never had enough room to use the 300f2.8 :-)
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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