Paul posted > The shots have to be done with on camera flash or available light, i've > explained the limitations of this to the client, so their choice :) and neg > film is fine. > > Any one got any reccomendations on a good film stock to use? i'm thinking at > this stage i'll be shooting Supra 400, some with a colour corrected filter > and other without, they actualy want the colour cast on some of the shots.
Personally I'm a big fan of Fuji Reala; supposed to be good with mixed lighting conditions, and that has been my experience with it as well. (You're going to use a tripod, right? If not, then a Superia in a higher speed. Oh. For a client. If you go with a "Superia" then get the one packaged as "Press" -- just in case the client might see the packaging.) If you do take the advice someone else offered, of letting the client see some digital test shots to be SURE they want the colour cast, remember to set the digital camera on "daylight" so it doesn't auto-correct the colour cast and invalidate your point.
