Amita, I can confirm that Optima II 100 was quite saturated in yellow and red, and even HDC+ 100 showed some red affinities. ;o) However, Agfa pretends it changed the emulsion in the new Optima Prestige - actually in their entire negative film line. The so called Eye Vision technology is claimed to cut the shift towards red in some blue/green tones as well as to reproduce more shades of red. It sounds to me like they dropped some of the saturation. I'm in the process of assessing the new Agfas myself; I expect to get next week some Ultra and Vista 100 back from the lab. Servus, Alin
Amita wrote: AG> I'm looking for some high saturation print film to take with me to New AG> England. I'll probably bring some Fuji Superia, but I want some film AG> with warmer tones to bring out the colors of the trees. Have any of you AG> used Agfacolor Vista or Optima II, or Kodak Supra?
