> > Here's my little theory about WB - you don't need to worry about it. > What have print labs been doing for years? Working with a media that > is stuck on daylight balance but shot in a multitude of conditions. If > you're making prints, find an expert printer and let him do his job.
Yep. I must admit I was more than a little amused to see folks taking digs at the digital bodies because there was a white-balance control. It's a lot easier to tweak a control dial than it is to swap multiple compensation filters on the front of lenses. So, of course, film users jyst don't bother; they rely on the printer (or the scanner) to fix it.
