This one time, at band camp, Doug Brewer <[EMAIL PROTECTED]> wrote:
>
> On Monday, October 20, 2003, at 06:17 PM, Kevin Waterson wrote:
> If you want to emphasize the smoke, you need to light the smoke, which
> means less light on the rest of the set. Do you have any way to snoot
> the light? If you do, move the main light up and more to the left. If
> you don't have a snoot, try constructing one out of cardboard, then
> feather the fill light out to where the edge of the light shines on the
> model. Try a few set-ups and watch the differences in your shots. I
> think you have a good idea going here, now you just need to fine tune
> your lighting.
If I read you correctly here, something like this...
subject facing
___
/ /
Main Light
Fill Light
||
camera
> Why stop using the MZ-S? I'd probably 86 the pop-up and go with a synch
> cord, but the body isn't going to make that much difference.
My reason here is that I have no sync cable for the MZ-S, which is why
I had to use the pop-up to fire the mono-blocks. I have had no end of
problems aquiring one of these, (another story for another day), I do
however, have the sync cable for the K1000. And to get rid of the pop-up
I need to change bodies.
On the K1000, the film ISO ratings on the dial are 64 . 100 . . 200
What are the values of the dots?
Kind regards
Kevin
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Kevin Waterson
Port Macquarie, Australia
