Actually, what I was saying had nothing to do with digital,
per se.  What I said was that over the past few years, with
the advent of media needing more pictures faster, the spread
of images on the web which can be posted by anyone with any
type of equipment at any level of skill, the overall quality
of photographs has dropped.  It's not JUST with digital
cameras, but, since their use is expanding exponentially,
and we perhaps get to see more digitally created images, the
use of digital cameras has to be considered a contributing
factor.  Since I can now place my photos on the web for
anyone to see, their presence also contributes to the
overall quality of photography, good or bad. It didn't used
to do that outside of a small local area where I may have
had a show.  Now more people can see my work - your work -
in a matter of minutes than might have seen it in weeks of
an exhibition.  And the damned photos are viewed at a 600 x
400 pixel size that does nothing to show their true quality,
good or bad.

Now, since most people have never seen exhibition quality
prints, B&W or color, film or digital, their points of
reference becomes the overall lower quality of images that
flood the world today.  Those lower quality images become
the standard by which other images are judged by most
average people.  That's the standard that they strive for
because they know no better.  Their exposure to photography
has been through lower quality images - those posted to the 
web, printed in magazines and books, on television and in 
newspapers.

In a way it's like food: most people in the US today have
never eaten absolutely fresh fruit, fruit picked that
morning and eaten within hours.  So, for most people, fresh
strawberries are judged by older, chemically treated
berries, maybe even berries from another country.  Until
those people eat a truly fresh berry, grown in rich, fertile
soil, they will never know what they are missing.

Recently I had a brief discussion with a picture editor.  He
said, quite candidly, that he doesn't have time to really
look at a picture ... he makes his assessment on an
immediate
impression.  And while that's understandable, some photos
that have a lot of content, that are designed to have some
emotional impact and to tell a story, get overlooked and
passed by because they are, in the editor's words, "too
subtle to make an impact."

We live in a fast world, a world of supersaturated images
(just look at the prevalence of highly saturated films that
are so frequently used), loud movies, lots of background
noise ... all of that must be somehow overcome if one is to
be heard.  Bigger, brasher, louder is not better.  Details
are lost in the fury.

This list has about 600 members.  We are all photographers
to some degree.  However, I'm willing to bet lunch that the
majority of the list members have NEVER seen the kinds of
photographs I'm describing ... of course, how many of the
600 will step forward to admit that.

What I read on this list a lot is that the photos the
members make are "good enough" or "acceptable" for their
needs.  There's nothing wrong with that ... it's just a
shame that so few people today have the desire or the time
to produce something great.  To work, perhaps, a week or
more on a photograph until it's perfect, until it sings and
leaps off the paper.  Good enough is, obviously, good
enough.

And every person that has said their work is "good enough"
makes my point.  Not that it's wrong to make average quality
prints for viewing in average situations, but because
average has become something for many people to aspire to
because they don't know any better.

Now, if you digital divas want to say that I'm condemning
digital, go ahead.  Enjoy your little fantasy that I'm a
blowhard and am down on digital cameras.  I'm down on
mediocrity ... and if your digital work is mediocre, and
you don't aspire to making better quality images or photos,
if all you want to do is talk about the technical stuff that
goes on inside a camera or resides hidden in software
instead of talking about and trying to make great
photographs, so be it.  

Ciao 4 now

graywolf wrote:
> 
> Shel, does not say you can not take good photos with a digital camera,
> he says the percentage of those who do is going down. That is true on the face
> of it. "I like my digital camera", is far different from, "You should throw away
> your film and go digital like I did", which is what you some others seem to be
> preaching.

Reply via email to