Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> These are both nice snaps, but they say nothing about the
> man being a shoeshine.  They show a fellow on the street
> with an interesting expression set off against a nice,
> inoffensive background.  
> (...)
> As it is, I keep wanting to see more. I want
> to see him at work; I want to see his hands; I want to see
> him relaxing by his stand; what does his stand look like? 
> IOW, you opened the door to this mans life but you've not
> let us in.  For me, it's frustrating.

Hi Shel,

Thank you for the thoughtful comment. I'm sorry, I didn't want
to frustrate you... :-)
I saw that others had similar feelings (thanks to Marnie and
again Dag for sharing their thoughts).
I think you nailed the point (is it possible to say that?), I
wasn't able to by myself.
That's always a problem when one keeps looking at a picture (i'm
talking about one's pictures) with the context in mind. It is
something I try to avoid with a certain effort, and sometimes I
fail.
The picture of the guy that I took that day that comes closer to
my 'style' (or, better, my feelings) is the following:
http://www.photo.net/photodb/photo?photo_id=2148401

I guess this shot portrays the man better than the other two,
even if does not let you see his face.

Gianfranco

PS: maybe the 'inoffensive background' has more to do with my
contrasty feelings about those shots: I really like the creamy
effect of the bokeh rendered by the Super-Takumar 50/1.4... I
definitely should use it more. 


=====
�To read is to travel without all the hassles of luggage.� 

                        ---Emilio Salgari (1863-1911)

__________________________________
Do you Yahoo!?
Yahoo! Mail SpamGuard - Read only the mail you want.
http://antispam.yahoo.com/tools

Reply via email to