Thanks for your comments Bruce.I knew someone would comment on the scan.It was done at 
a 1 hour place and i told them is was for my web site so he made a small image but at 
least 
people can see what i shot, for the most part.
I agree with your remarks about the crop,and background however i have no control over 
how 
they place these jumps so i try to find the best of both forground and background.When 
i'm 
better known i will be admitted into the ring and will have a better view of things.
How i set up is also important.I watch a few practice rounds to find a good 
location,check 
framing and 'dry shoot' to help with my timing.I find hand held for me better as in a 
lot of 
shows if i shoot more than one jump from a location i have to move quickly a few feet 
left or 
right,making a tripod a bit of a pain,but i understand what you are saying about using 
one.By 
moving around my location i can usually get 2-4 jumps from the side(as in the pug 
submition),at about 30-40 degrees and hopefully 1 from the front.Also the higher the 
jump the 
better hang tiome i have to play with.
The team i follow is from the stable we board at and have 20 -25 riders at a show.If 
all goes 
well i can take 10-12 shots per rider per show.Last season i ran off just under 1000 
frames 
and about 400 of them have most aspects of a good photo.But for the most part things 
like 
poor timing,horse or rider not doing quite what they are supposed to are just plain 
miss the 
shot are not uncommon.I used the best ones last year to put a yearbook together for 
the kids 
and they loved it.
As you may have quessed show jumping photography takes up 90% of my time but i have 
yet 
to abandon landscapes b&w etc.
Once again Bruce thanks for the comments,they are appreciated very much.I hope this 
does 
not sound like a bitching,just wanted to give everyone an idea of haow i go about this.

Great shots this month everyone

David from Toronto(area)

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