The interesting thing is that like a lot of famous photographers, most of his work shown as diffinative of his work was done very early in his carreer. After that it was relentless PR.
I do firmly believe that capturing an exact instant can produce photos with a solid story to them. And he did that by anticipation, not 10 frames a second. Actually good studio and landscape photography use the same technique for capturing the story, only they set up the instant, so it is easier to capture.
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mike wilson wrote:
For me, the real tosh comes in when you get the stories about him never cropping.
-- graywolf http://graywolfphoto.com/graywolf.html
