--- Shel Belinkoff <[EMAIL PROTECTED]> wrote:

> This portrait of Jack and Bobby Kennedy was made in
> Mexico, shortly after
> Bobby's assassination. The scene was just as you see
> it, and, to me at
> least, it told a compelling story. Comments and
> criticisms are certainly
> welcome.
>  
> http://home.earthlink.net/~sbelinkoff/bj4.html
>  
> Shel 
> 

Shel,

I remember, as an 11 year old boy, waking up on the
morning of June 6, 1968, hearing the awful news.  

It's now called the "summer of love", but at the time
it didn't feel like it to me.  First, Martin Luther
King Jr., then Bobby Kennedy.  Images of American
inner cities burning.  Images of young men dying in
Vietnam.  The Democratic Convention.

Even at 11, I felt that there was something very
wrong.  The feeling was that Bobby Kennedy would
somehow lead the US and the World out of that mess,
and that with him died the dream of a better society.

I'm a lot older and more cynical now, and I realize
that maybe things wouldn't have changed that much had
Bobby Kennedy become president.  But, at the time, he
seemed like the last good chance.  

Shel, your photo brings back intense emotions for me.

In and of itself, it is, of course, a powerful image. 
The icons of death surrounding the two busts are
haunting, as is the mocking, laughing figure to the
left of Jack.  Did you arrange any of those figures,
or did you photograph the scene as you found it?

It's such a macabre display, it's almost unreal.  I
wonder what the person who set it up was thinking (if
anything).

Everything works for me here, from the composition to
the relatively narrow DOF - this is a tremendous
photograph, IMHO.

I just hope that my emotions aren't colouring my
objectivity with regard to my feelings regarding this
image.

cheers,
frank

=====
"The optimist thinks this is the best of all possible worlds.  The pessimist fears it 
is true."  -J. Robert Oppenheimer

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