Sylwester Pietrzyk wrote:

Shel Belinkoff wrote on 26.10.04 13:37:


Laughing at you?  Nope, just smiling because you got hold of a neat,
classic camera.  Remember, some of my "daily shooters" are even older than
the KX by quite a margin.

<<relief>> ;-)


I never had a K camera, but recently got to test and use a few that were
donated to the 6th Street Photo Workshop, where I volunteer and teach a
basic photo class.  I was impressed by these swell cameras, and decided
that I want to get one for myself, and at some point down the line am
looking to have my very own KX or KM

Exactly that's what I felt when I held KX for the first time :-)


And, the person most responsible for this infatuation is .... Keith Whaley.
Keith donated a K1000 and a KM, and I ran a roll of film thru each, which
got me hooked.  Using the KM was especially sweet - loved the DOF preview -
with an old K55/1.8 lens I found in the back of my closet.  That lens has a
particularly nice character, not overly sharp or contrasty, but able to
resolve a good amount of detail.  The K bodies and some of the K lenses
make a wonderful combination, so much so that I just grabbed a nice looking
K50/1.4 off eBay (I've always wanted that lens but missed a few
opportunities) to supplement the 1.8

K50/1.4 would be nice... But what do you think about K50/1.2??? I suspect it is quite soft wide open, but I wouldn't care if I'd have more opportunities to take unblurred photos at dark places ;-)

The 50/1.2 lenses are only 1/3 of a stop faster than the K50/1.4, and *much* softer wide open - you'd be far better off pushing the film 1/3 of a stop to get the extra speed.


S



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