Brandy, by William Robb - Well, I guess it's like naming a girl
Crystal or Tiffany - it can limit one's career options, eh? 
Seriously, a nice bit of cheesecake there, Bill.  Nice smile you
captured (believe it or not, it's what caught my eye first <g>).  Lots
of red.  Fetching pose.  She's wearing page 74 of Vic's Secret (and
it's red, too!).  I actually quite like the red wall on the left, and
the white screen with the black frame on the right;  it makes for a
nice background, along with more proof that the Rule of Thirds is
indeed alive and well.  <vbg>  Plus, I like her tatoos.  I don't have
any tatoos, but I encourage nice looking women to get them.  <vbg>

Posing by Gianfranco Irlanda - Cotty opined that this is the best shot
of this month's gallery, and I don't see that I can disagree.  The
framing of the skylight is amazing, the partial silhouette (which
allows us to see some detail of the actor's face and upper body) is
incredible.  His pose matches the askew skylight perfectly - quite
dramatic (which is good for an actor, no? <vbg>).  Just a great photo,
Gianfranco.

Red Hat by Mishka -  "The eyes have it" (sorry, bad pun, but I
couldn't resist).  Quite a capture, Mishka!  You don't find an
expression like that every day.  The very tight crop certainly works
well in this instance.  What I also like about it is the curves of the
hat - the hat-band and the stitched brim - they frame the face nicely,
but also the fact that they describe different arcs adds even more
interest to the photo.  Also, if you follow the imaginary curve of the
band outside the left of the frame, it would come back into the frame
right around the curve of her jaw, bottom left.  Quite exquisite! 
Wonderful portrait!

Sake, by Peter Alling - You're right, Peter, it does speak for itself.
 The dog has such an intense look on its face - as if it's guarding
the scooter and will defend it to the death!  <vbg>  Beyond that, the
positioning/framing of the scooter more or less within the diamonds of
the paving stones and lawn is a real nice touch.  The crop (whether in
camera or not) is very nice, with the walls and lampost nicely framing
the entire scene.  Only problem is, "not enough red", but I won't
deduct points for that - at least there's a bit of red <g>.  A cute
photo, but further analysis shows that it's got more going for it than
one might suppose at first.

Time for supper, more later (maybe).

cheers,
frank


-- 
"Sharpness is a bourgeois concept."  -Henri Cartier-Bresson

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