I always found Reala needed to be exposed at ISO 80 (but developed as normal to add punch and contrast). I think it would work well for you Shel, but the Kodak films have a warmer pallette which might suit a dull day better.
> -----Original Message----- > From: Mat Maessen [mailto:[EMAIL PROTECTED] > Sent: 08 November 2004 17:11 > To: [EMAIL PROTECTED] > Subject: Re: Color Print Film Question > > > Something with a bit more contrast, like say Royal Supra 200, > or just straight Gold 200 might work better. Reala always > seemed a bit flat to me, though I've never tried the Kodak VC > films on cloudy days (they do very well on sunny days for me). > > -Mat > > > On Mon, 08 Nov 2004 09:06:35 -0800, Tim Sherburne > <[EMAIL PROTECTED]> wrote: > > > > Kodak Portra 160VC might also do the trick. > > > On 11/8/04 9:03, Steve Jolly wrote: > > > > > Shel Belinkoff wrote: > > >> What would be a good choice of color print film for a heavily > > >> overcast day. Slower speed films preferred. I was thinking of > > >> Reala as it seems punchy enuf to overcame the greyness > of the day. > > > > > > Agfa Ultra 100? The question mark is 'cos although I > exposed a roll > > > last weekend, I haven't had time to develop it yet. It > seems pretty > > > much designed for the job though. > > > > > > S > > > > > > > > > > > > > > >
