There are all kinds of ways to look at a camera as a "Pro" model. I think it's a Professional model if a Pro uses it. Any good camera is therefor Professional. That however invalidates a large part of advertising budgets so I doubt my view will be accepted any time soon, especially by Nikon and Canon.

Larry Cook wrote:

I was reading through some posts on one of the Pentax forums that I follow and ran across a remark about Pentax not making any "Pro" cameras. At the time I thought to myself, "OK, I'm not a pro, so what? I like what I have, a *istD, so what the hey?!?" Then I began thinking (always a problem when you aren't used to doing a thing...) about it and I found myself wondering, What makes a camera a "Pro" camera? Is it the construction? Particular features? The lenses? Accessories? The people that use them? The mythos associated with a camera? The price? The label the manufacturer applies? So, how does one distinguish a pro camera from a non-pro camera? The amount the camera charges for its services????

Just thought I would ask and it is a serious question, more or less. It is serious in that I am curious. It is not that serious in that nothing important hinges on the answer....

Larry Cook




--
I can understand why mankind hasn't given up war. During a war you get to drive tanks through the sides of buildings and shoot foreigners - two things that are usually frowned on during peacetime.
--P.J. O'Rourke





Reply via email to