Mark,

Here are 4 shots from the Bonfield Express race. 

http://members.aol.com/rfsindg/Starta.jpg
http://members.aol.com/rfsindg/Startb.jpg
http://members.aol.com/rfsindg/Finisha.jpg
http://members.aol.com/rfsindg/Finishb.jpg

I wanted the start from up the street, but somebody else covered it.
I took about twice as many shots on the Sony digital as on film.
Shutter lag is a pain on the Sony... need a Pentax DS.
I just tried to document the race in general.

The race included runners, walkers, strollers & rollers.
It was a benefit in memorial to a friend who lost his battle with leukemia.
Over 1,500 ran the 5 K race at 8:30 AM Thanksgiving morning.
You can see the 6 inches of wet snow that fell the night before.
Over $35K was raised for scholarships.

I tried to take some lower viewpoint dynamic shots with blurr like
Frank, but they are harder than they look.  Hopefully next year...


On Fri, 26 Nov 2004 20:49:44 -0500, Mark Roberts <[EMAIL PROTECTED]> wrote:
> Bob Sullivan <[EMAIL PROTECTED]> wrote:
> 
> 
> 
> >Any quick suggestions as I take on the 'official photographer' role
> >for a local 5K race tomorrow morning?  1,200 runners so far...
> >Regards,  Bob S.
> 
> Well, I'm too late to reply to this but I'll do so anyway:
> 
> First, it depends what your objective is. Are you documenting the event
> for someone or taking photos of the runners to sell to them later?
> 
> If the latter, go with an 80-200 and stick with it for everything. If
> it's sunny and the runners aren't finishing coming into the sun, you'll
> need a powerful flash for fill. Go 1.5 stops below ambient light.
> 
> If you're shooting general documentation photos, go with a 300 or so to
> grab a start photo from head on (the compression effect is nice and the
> extra reach lets you shoot from sufficient distance to be out of the way
> before the pack runs you over!) The 300 (or longer) also works well for
> places in the middle of the course where you can find a long stretch of
> road to shoot down, especially if there's a hill. For individual shots,
> an 80-200 works well, but try mixing some shots using a wide angle. Get
> down low right at the finish line to get some interesting angles.
> 
> General tip: In the middle and back of the pack you can find some
> interesting juxtapositions - old ladies and young kids running about the
> same pace, for example.
> 
> Show us what you got!
> 
> --
> Mark Roberts
> Photography and writing
> www.robertstech.com
> 
>

Reply via email to