> A clean SMC-A 50mm F2 lens can easily be had for, say, US$ 50.

...or even less.

> The 43mm Limited lens is a little wider, a tiny bit faster, and
> about eight times more expensive.  Can anyone with real-world
> experience comment on how much better it really is optically?  I'd
> consider sharpness, contrast, bokeh, and any other visible effects
> fair game.

The 43/1.9 is not as sharp, I would say, at wider apertures.  (I no
longer own any 43/1.9's, so, admittedly, I am doing this from
memory.)  The 43/1.9 has some barrel distortion (very annoying and
not terribly forgivable in such an expensive and such a not-so-wide
lens).  The 43/1.9 does not have the most pleasing bokeh (although
it is better than the similar-FL M 40/2.8 in this regard) (and I
can't remember what the bokeh of the A 50/2 is like, so that was not
a statement specifically comparative to your question).

I noticed that you mentioned an A lens, so I'm assuming that you are
considering manual focus feel.  I personally do not like the
"whirring" focus feel of many of the autofocus lenses, including
that of the 43/1.9.  I also personally do not like the tiny focus
rings of many of the autofocus lenses, such as the 43/1.9.  (Some of
the larger autofocus lenses that have a focus clutch to disengage
the focusing gear train are thankfully a lot closer to decent manual
focus feel.)  However, I did use the word "personally" here - some
PDML-ers disagree with this.

The overall build quality of the 43/1.9 (focus feel notwithstanding)
is much nicer than that of the A 50/2 (which is obviously a "budget"
lens).  I suspect that the sample-to-sample variations may also be
smaller with the 43/1.9, too.

> Don't know about the M/A 50/2, but if you want a good standard
> lens (optically), go for the A/F/FA 50/1.4, F/FA 50/1.7, or even
> the FA 50/2.8 Macro.

The M 50/2 and the A 50/2 seem to me to be significantly different
lenses - the A is more than a wee bit better optically (but not
mechanically), in my opinion.  For those that pay attention to
Photodo ratings (and a lot of PDML-ers cringe when discussing
Photodo - <g>), the A 50/2 gets a "4.0" from Photodo, which is a
pretty high rating, especially for such an "economy" lens.  (The
Photodo rating for the 43/1.9 is 3.6, in comparison.)

However, I really think you might want to consider, say, the A
50/1.4 or even the A 50/1.7.  Both are quite good optically (and the
50/1.4 is at least pretty good mechanically, although the 50/1.7 has
a weak spot with its aperture ring, some PDML-ers feel).  (My
personal preference is for the 50/1.4, but there are many PDML-ers
who do love their 50/1.7's.)

The F and the FA 50/2.8 Macros are razor-sharp, but not too nice to
use for manual focusing (in my opinion), and, of course, they are
starting to get closer to the 43/1.9 in price.  I much prefer the A
50/2.8 Macro, a most delightful lens to use, even if it's not quite
as bitingly sharp as are the F and FA 50/2.8 Macros.

Not everyone likes the A 50/2 (and some might say that spending this
many bytes on such a "cheap" lens is overkill, but the question
~was~ asked).  However, although the 43/1.9 is indeed a "special"
lens, it is not a lens that is liked by everyone, either...

Fred


Reply via email to