I'm going to show color prints from film and color prints from digital. I see thousands of prints a month. I can't control the experiment if all the prints are not outputted from the same source. The discussion here centered around a visual difference that was derived from the source: film vs. an optical sensor. To compare those two elements, you have to use the same output device. If there's more than one variable, it's not a controlled experiment.
Paul
On Jan 25, 2005, at 7:28 AM, William Robb wrote:
----- Original Message ----- From: "Paul Stenquist" Subject: Re: PP: Digital Grain
People will still see what they want to see.
However, I'm going to conduct a little experiment. My current portfolio consists of about 48 prints. Four are 11 x 14 silver prints, the rest are color prints of approximately 11 x 17. Thirty of so are digital. Fourteen are from medium format scans. They were all printed on the Epson 2200. I'm going to pull aside three or four professional art directors in the ad agency where I'm currently working, along with an art buyer or two. These are people who evaluate professional photography every day and are considered experts. Let's see how many can pick out the film based prints from the digital without using a loupe. I'm willing to bet that the hit ratio will be very low indeed.
Essentially, you are going to show a bunch of digital prints and ask which one is not a digital print?
Hardly a fair question.
Or are you merely going to see if they can pick out the four 11x14 silver prints from the rest.
William Robb
Hmm, I created some jibberish here. I started out to say, "I see
thousands of prints a month. I haven't seen an optical color print in
years." But I meant to delete that, because it's beside the point. A
second experiment comparing a color optical print and a color inkjet
print would add more information. But for the purpose of comparing
digitally recorded images and images recorded on film, everything else
has to be as equal as possible. Of course this still isn't a valid
scientific experiment. But I know it will demonstrate that, at least in
terms of the way I work, there is so little difference between film and
digital, that even experts are unable to determine which is which. For
the way others work, that might not be true.
- Re: PP: Digital Grain Paul Stenquist
- Re: PP: Digital Grain Alexandru-Cristian Sarbu
- Re: PP: Digital Grain Frantisek
- Re: PP: Digital Grain pnstenquist
- Re: PP: Digital Grain pnstenquist
- Re: PP: Digital Grain Alexandru-Cristian Sarbu
- Re: PP: Digital Grain William Robb
- Re: PP: Digital Grain Godfrey DiGiorgi
- Re: PP: Digital Grain Alexandru-Cristian Sarbu
- Re: PP: Digital Grain William Robb
- Re: PP: Digital Grain William Robb

