YMMV, and I'm not a rocket scientist in this regard... I consider Velvia 50 and Provia 100F to be the greatest transparency films ever produced, with the caveat that many adore Kodachromes and I can understand why.

I agree that scanning Velvia has its problems, but it's still worth the effort.

If I was stranded on a desert island with a 35mm camera and tripod and had one choice of film it would be Velvia 50. Now what can I take pictures of?

Tom C.



From: "Herb Chong" <[EMAIL PROTECTED]>
Reply-To: [email protected]
To: <[email protected]>
Subject: Re: Pentax News
Date: Wed, 16 Mar 2005 22:03:11 -0500

my experience with Provia 100F is that unless you are shooting top quality lenses, the lens is the limiting factor with technique being a close second. i get slightly more detail with Provia 100F with a lot more hassle and a lot more variable color. with Velvia, the detail differences are much more apparent, but it still is a lot more hassle and color consistency, even with a profiled scanner, is still hard. OTOH, i found the grain in Provia 100F objectionable but it was the only game in town with the right combination of speed and color rendition. i didn't like Ektachrome as much, and Velvia's contrast was too high to use as often as i would like, in addition to being slow.

Herb....
----- Original Message ----- From: <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Wednesday, March 16, 2005 9:37 PM
Subject: Re: Pentax News


I haven't shot a lot of landscapes but those that I recall showed good detail. I made a print from one of Jostein's RAW files that included a lot of trees in the medium distance. If I remember correctly, the detail was quite good.






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