> > On Apr 6, 2005 6:00 PM, Frantisek <[EMAIL PROTECTED]> wrote: > > WR> Not really. > > WR> I have a few negatives that I have managed to make, if not a perfect > > print, > > WR> at least a very good one, and even with careful notes and diagrams of my > > WR> dodging and burning routine, have not been able to repeat the best > > print. > > WR> It happens.... > > > > But that's the ART of it ;-) Every print is HAND MADE - individual art > > piece. I wonder how could you do that with Inkjet, heh. > > > > Good light! > > fra
Having just read Shel's thread i thought i would answer this post. I agree with the quoted writer said, except the part about maybe not caring so much how he shot it in the field. I think one should care as the final result depends on this i feel. I manipulate pictures in PS and in the darkroom.Dodge and burn, crop etc. Rarly can i print with out some sort of minor tweak at best,and a crop to fit the printer.:-) But i wanted to reply to the above. I to keep notes in the darkroom ,for times, head heights,filters,paper dodge and burn,etc. If i try the same photo the following week at school, it usually comes out a tad different. Not that i mind,sometimes its for the better,making each print unique. My 2c DAVE
