Jack,

  In absolute terms, the negative emulsions have finer grain than
  positive. Indeed, Agfa's best negative, Portrait 160 with it's
  granularity of RMS 3.5 is obviously better than the RMS 10 of their
  best positive - RSX 50. The difference maintains more or less at all
  other manufacturers.
  In real world though, the thicker layers of the positive emulsion
  accounts for higher densities that translate to finer gradations in all
  three colour channels. This comes at the expense of the reduced
  exposure range compared to the negative emulsion, but given a
  subject whose exposure range is covered by the positive emulsion
  latitude, the positive delivers a richer image than the negative and
  the continuity of tones hide its higher granulation giving the
  overall better appearance.
  In the digital era, this becomes even more obvious with the post
  processing level of the scanned image: the lack of tones of the
  negative emulsion image is immediately apparent as noise, sometimes
  after as little as level adjustment and curve manipulation to open
  the shadows. Despite its smaller grain, the noise gives the negative
  film the contrary appearance.
  In my limited experience, the only negative film that comes close to
  various positives (like Provia 100F, CT Precisa 100, RSX 100, etc.)
  in terms of rich image in tones is the Kodak RG50. Too bad it became
  "obsolete". [Flame disclaimer: note that I don't discuss other
  criteria like exposure latitude, colour linearity, etc.; it's not
  the end of the world if I cannot capture all the subject's details,
  to me a good picture should also suggest, not just depict).
 
  Servus,  Alin

Jack wrote:
JD> I had a lab owner emphatically contend that.."positive
JD> film of the same ISO has finer grain than negative
JD> film". Didn't address b&w.
JD> We happened to be reviewing a b&w print at the time
JD> and their existed a situation wherein the subject
JD> couldn't be pursued (customers waiting). 
JD> I've since emailed him for a follow-up on his
JD> recommendation that "b&w film be scanned as positive
JD> film". 
JD> If his answer (if received) is at all decipherable,
JD> I'll forward it.
JD> Does anyone know or suspect what he may be talking
JD> about? 
JD> I've, also, read the RMS charts but, their results
JD> don't appear to be comparable.



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