I don't see Shel's conclusions as beng particularly earth-shattering news. Quality of prints has always been highly variable. Totally dependent on the skill, attention and interest of the person doing the work. Ivey/Seright in Seattle is probably the best known pro-lab in that town. I've never been totally happy with their product when it came to printing transparencies, while the Slide Printer in Denver impressed me greatly.

For consumers/non-pros just learning digital, it's a given that they/I will fart around and learn largely through trial and error. Likely the same way most people learned what works best in a wet darkroom.

Digital will be more time consuming for anyone doing it all themselves, just as film processing in a wet darkroom would be.

I'm not downing Shel, simply saying that his observations are to be expected and don't apply only to digital

Tom C.



From: "William Robb" <[EMAIL PROTECTED]>
Reply-To: [email protected]
To: <[email protected]>
Subject: Re: Hurrah for Shel Disrobing the Emperor
Date: Thu, 14 Apr 2005 17:52:28 -0600


----- Original Message ----- From: "Herb Chong" Subject: Re: Hurrah for Shel Disrobing the Emperor



in a conversation with Hardie Truesdale, featured in Outdoor Photographer last year, on why he went to doing his own digital prints. "yes, it's a hell of a lot cheaper. it didn't matter how much i paid the top outfits on the east or west coast to make my prints, they still couldn't get it right."

It's the peril of the trades.
I had trouble getting carpenters, plumbers and electricians to do things right as well, to the point I just do it myself now.
Blaming the medium for a lack of good workmanship seems a bit foolish to me.


William Robb






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