Shel Belinkoff wrote: > > That's one of the nice aspects of PS ... the flexibility and variety that's > available. Unfortunately, because the program can be so daunting to those > who are new to it and unfamiliar with many darkroom techniques, it's often > underutilized. Even over on the User-to-User forum, where a lot of experts > hang out and help the newbies solve problems and give them advice, there's > often someone who "never knew that." I believe it was Chris Cox, one of > the engineers of Photoshop (his name appears on the splash screen), who > recently said, in response to a technique posted by someone on the forum, > "I never knew that PS could do that!" <LOL> > > Shel
I've actually found a few experts who don't know you can almost always hit "enter" on the keyboard instead of clicking on "OK" with a mouse. :) ann > > > [Original Message] > > From: Paul Stenquist > > > But that one red channel is adjustable, so its infinitely variable. > > What's more, one can adjust the tonality of the color original in other > > ways -- shadow/highlight, curves, selective color, color replacement > > etc. -- so almost any grayscale variation is possible. > > > On May 20, 2005, at 5:37 AM, Steve Jolly wrote: > > > > > Ann Sanfedele wrote: > > >> That was what the guy at Photo tech told me - I'll > > >> have to learn about > > >> what the red channel is. > > > > > > Simulating the filters in Photoshop is easier than carrying a bunch of > > > filters around, but you can only accurately simulate a limited range > > > of filter effects. For example, you can buy a number of red filters > > > that do different things to your photo, but there's only one red > > > channel... > > > > > > S > > >
