Thanks Shel. I'm not wild about the ultra long lens compression myself.
But the magazine art directors love it. I did some with the K 135/2.5
as well, however, and then some high angles with the DA 16-45/4. So
they'll have a choice. I did use up the best light on the 400, because
I know that will be the favorite of those who get to vote :-).
Paul
On Jun 9, 2005, at 10:23 PM, Shel Belinkoff wrote:
Hi Paul ...
My heart rumbles and beats irregularly as did that 426 <LOL>
While in general it's a nice pgoto - the red set off against the
background, the soft (early morning?) lighting and gentle fog adding
to the
atmosphere) - I think the compression effect of the 400mm lens gives
the
car a slightly askew look.
Shel
[Original Message]
From: Paul Stenquist
Someone asked to see a still shot of the Hemi Belvedere. I have one
ready tonight, so I posted it. It's shot with the *istD and the A
400/5.6, f11 @ 1/20th, and it's here:
http://www.photo.net/photodb/photo?photo_id=3440258&size=lg
