I've heard all the narrow, pretentious definitions of "street shooting" before. 
I think anything that defines a genre too narrowly is merely limiting. Yes, HCB 
shot with normal lenses, and I frequently shoot with normal to wide lenses as 
well. But that's not all I do. I care not a hoot for definitions. By the way, I 
find nothing intimate about shooting people with their backs turned to the 
camera. But that's just me. Each to his own.
Paul


> Paul,
> 
> That's a nice tele-portrait of a man and child, but street shooting  
> to me captures the environmental context of the street and the people  
> who populate it. The perspective in such a tele-portrait is not  
> intimate, nor does it capture the context of the street at all.
> 
> Photos like these two from my "PAW: People & Portaits 2005" series  
> are a little closer to the notion of street shooting as I see it:
> 
> http://homepage.mac.com/ramarren/photo/PAW5/13.htm
> http://homepage.mac.com/ramarren/photo/PAW5/15.htm
> 
> There's nothing wrong with portraits on the street like the one you  
> display, but that's certainly nothing like the established aesthetic  
> of street photography as I have seen it characterized in the work of  
> Robert Frank, HCB and others.
> 
> Godfrey
> 
> 
> On Jun 17, 2005, at 3:57 AM, Paul Stenquist wrote:
> 
> > How does one do "street shooting" with a 200mm lens? You get out on  
> > the street and trip the shutter <vbg>.  Yes, I frequently shoot on  
> > the street with a 35/2, but I don't always like "intimacy" in  
> > street shooting. Sometimes I like to catch people unawares. Here's  
> > a shot with the VS1 70-210/3.5 at 210 mm. It may not fit your  
> > definition of "street shooting," which is a fuzzy term to begin  
> > with, but it's on the street, and it's a shot.
> > http://www.photo.net/photodb/photo?photo_id=3322436
> 

Reply via email to