I'd put a Sto-Fen Omnibounce on the AF500FTZ and use a lens wide enough to
capture as much of the dome as you desire, i.e. if you need a fisheye, use
one. The Sto-Fen will give good coverage down to a 16mm wide angle. I'd
practice several shots (while the chandelier is there) and see what the
results look like so as to be ready for when the chandelier is taken down.
The FA 20-35mm f/4 might be a good choice of lens to try, too. Hey, if a
50mm will cover what you want, use it. Same goes for longer focal lengths.
Len
> -----Original Message-----
> From: Patrick Genovese [mailto:[EMAIL PROTECTED]]
> Sent: Wednesday, June 20, 2001 12:35 PM
> To: [EMAIL PROTECTED]
> Subject: Tricky shot - need advice
>
>
>
> Hi,
>
> I need advice on how to go about taking a rather tricky shot.
>
> The subject is the inside of a church dome with an exquisite
> pattern on the
> inside.
>
> Here are some problems/challenges that I face.
>
> The place is huge (approx 50 meters from the church floor to
> the dome's
> apex).
>
> The interior lighting is very problematic, a mxture ot tungsten and
> flourescent ligting of various types.
>
> I Want the shot to be symmetrical to enphasise the symmetry
> of the pattern.
> The problem with this is that there is a big silver
> chandelier hanging from
> a chain presicely in the center. To work around this I have
> arranged to
> do the shoot when the chandelier is removed for cleaning in
> preparation for
> the village feast.
>
> I need to use slow film to permit a decent enlargement.
>
> Natural lighting is somewhat uneven.
>
> My flash setup is one AF500FTZ plus I can borrow 2 METZ CT60s
>
> I was thinking of a bulb exposure in total darkness and using multiple
> flash bursts to illuminate the interior.
>
> Suggestions please! This shoot will happen between now and
> August 6, the
> next chance for a re-shoot will be next year so I'd like to
> get it right
> first time!
>
> Rgds
>
> Patrick
>
>
> -
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