Thanks Paul,
But what I'm asking is independent of any sharpening process. I'm seeking the 
magnification @ which you view the image and make a keep/discard determination.

Kenneth Waller

-----Original Message-----
From: [EMAIL PROTECTED]

Subject: RE: OT: digital image editing

My experience supports what Rob has said. Most of my prints are 11 x 17 at 360 
dpi from converted *istD RAW files. I find that the optimum sharpening numbers 
for printing vary only a bit. I sometimes fuss over sharpening at 100% or 200% 
but find I end up at almost exactly the same place every time. How MUCH 
sharpening one applies is partly a matter of personal taste. For a well exposed 
file shot at 200 ISO, my optimum numbers of unsharp mask (assuming no 
sharpening during conversion) are 260% at 1 pixel with a threshold of 11.
Paul


> Rob,
> ok, but at what magnification do you make the sharp/keep or not 
> sharp/discard/fix determination.
> Inquiring mind wants to know.
> 
> Kenneth Waller
> 
> -----Original Message-----
> From: Rob Studdert <[EMAIL PROTECTED]>
> Subject: RE: OT: digital image editing
> 
> On 4 Aug 2005 at 17:18, Shel Belinkoff wrote:
> 
> > It's not just for digital shooters.  many Photoshop experts suggest
> > sharpening the final image @ 100% or 200% of the final print size to better
> > determine the actual sharpness of the final result and to get a closer
> > approximation of what the final print will look like.  If one is making a 
> 10x14
> > print, it makes no sense to sharpen based on a small, screen-sized image, 
> > just
> > as when sharpening an image for the web it makes no sense to sharpen a 40MB 
> TIF
> > file.
> 
> I don't really subscribe to the sharpen per image theory. I have found that 
> when printing files of a similar resolution and quality to a specific printer 
> it's generally easy to experimentally determine the optimum sharpening 
> factors 
> for various print sizes. Once the factors have been determined it's easy to 
> apply optimum sharpening blind.
> 
> Variation in sharpening factors are generally only called for due to file 
> resolution changes relating to cropping or image stitching and again tests 
> can 
> be made for several variations to determine optimum sharpening factors for 
> the 
> irregular conditions. It's really not rocket science and I'd bet few people 
> have the ability to truly interpret how an image will be rendered in print 
> based on a screen view at 100% or any other factor.
> 
> Cheers,
> 
> 
> Rob Studdert
> HURSTVILLE AUSTRALIA
> Tel +61-2-9554-4110
> UTC(GMT)  +10 Hours
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~distudio/publications/
> Pentax user since 1986, PDMLer since 1998
> 
> 
> 
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