It's probably  just plastic a bag dispenser, so that owners can clean
up after there dog.

Most of the local parks around here have them.

Dave

On 8/10/05, Daniel J. Matyola <[EMAIL PROTECTED]> wrote:
> I liked the picture, and thought it an interesting slice of life.
> 
> BTW, what is a "Scoop Dispenser"?
> 
> Paul Stenquist wrote:
> 
> > Thanks Cotty. And thanks to all who responded to this thread, both
> > negative and positive.
> > I frequently shoot with wide lenses on the street. In fact, the 16-45
> > is my most common choice, followed closely by the 35/2. I do like to
> > use a long lens from time to time. It is an effective way of catching
> > subjects unaware, and it allows for blurring of the background. I also
> > like to limit the scope of the background in some cases -- another
> > area where the long lens shines. I think the predisposition to short
> > lenses in street photography may be due to the fact that anything
> > longer than a 50 is a hassle on a Leica, and anything longer than a
> > 135 is major trouble.
> > Paul
> > On Aug 8, 2005, at 4:44 AM, Cotty wrote:
> >
> >> On 7/8/05, Paul Stenquist, discombobulated, unleashed:
> >>
> >>> The subjects here were unaware of my camera, but making myself known
> >>> would have spoiled the moment. Note what appears to be slight
> >>> embarrassment on the face of the girl on the left. Shot with the DA
> >>> 50-200, f9 @ 1/180, ISO 200. Moderate crop to frame.
> >>> http://www.photo.net/photodb/photo?photo_id=3613307&size=lg
> >>
> >>
> >> Hi Paul,
> >>
> >> This might make me a bit unpopular, but I certainly don't hate it. It
> >> catches an interesting moment, and although there are some distracting
> >> elements like the back end of the car and the plant behind a head, I
> >> certainly don't find it offensive or insensitive. (BTW I wouldn't have
> >> said that was a look of embarrassment on the woman on the left. I think
> >> she's comfortable enough). Yeah, nice catch.
> >>
> >> My approach to street photography does not involve long lenses. I prefer
> >> to use a wider lens and get closer. This doesn't mean I wave a camera in
> >> my subject's faces - sometimes I do, and they don't notice, or sometimes
> >> I shoot from the hip, composing with a remote eye. I think longer lenses
> >> have their place on the street, but I find that I am eyed with greater
> >> suspicion when using a longer lens on the street. In fact, with a wide-
> >> angle, subjects often don't realise they're in the frame when I'm
> >> shooting - can be an advantage. Sorry, rambling.
> >>
> >> Photography evokes emotion. Some pics make us feel uncomfortable, some
> >> don't. My pornography might be your erotic image. My medical studies
> >> might be your gruesome crash pics. People react in a multitude of
> >> ways to
> >> the same image.
> >>
> >> Look at comedians. There are some extremely popular comics about, but
> >> when I have a look to see what all the fuss is about, I wonder how
> >> anyone
> >> could find such banal chit-chat populated with vulgar profanity the
> >> slightest bit amusing. Yet, my sense of humour includes subject matter
> >> that I would suspect many people on this list would find revolting.
> >>
> >> As my wife often reminds me, if we were all the same it would be a
> >> boring
> >> place :-)
> >>
> >>
> >>
> >>
> >>
> >>
> >> Cheers,
> >>   Cotty
> >>
> >>
> >> ___/\__
> >> ||   (O)   |     People, Places, Pastiche
> >> ||=====|    http://www.cottysnaps.com
> >> _____________________________
> >>
> >>
> >
> >
> > .
> >
> 
> --
> Daniel J. Matyola
> Stanley, Powers & Matyola
> 78 Grove Street
> Somerville, NJ 08876
> (908)725-3322 (tel)
> (908)707-0399 (fax)
> 
>

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