Shoot RAW and set your color temperature and hue during conversion. I
do all my studio work in RAW. It's the only way to get it absolutely
right without a lot of fuss. To make it easy, place a white object
somewhere in the shot, and use the eyedropper to set color temperature.
You can just clone out the white marker when you process. If you must
shoot jpegs, set your white balance manually. See your *istDS
operator's manual for instructions.
On Aug 21, 2005, at 2:14 AM, Colin Miller wrote:
Recently I have been shooting sports teams and high school balls with
studio lights and my ist D.
The skin tones are far too yellow. This doen't happen under sunlight or
with a metz flash.
The lab suggests setting the contrast and saturation to the lowest
levels on the menu.
Any experiences or suggestions.
Cheers
colin
