Hi!
Thank you, Boris. In my work, I am almost always looking to capture the
quality of the light, and the quality of the light in that particular
moment, combined with the upwards geometries of the escalator, was
glarey but uplifting, a contrast to the somewhat
disconsolate/tired/"quietly slogging home" feel of the person's body
language riding that upwards elevator.
I noticed that, inductively observing your work for quite some time
;-)... I seek something entirely different which however still eludes me
with the great success... I want to capture "feeling", "emotion",
"impression"... Well, my only hope is that I am not stagnating in the
same place...
Burnt highlights are only burnt if they hide details that were
essential to conveying the feeling of the light. These highlights I let
burn because that was the feeling of the light.
Gee, this is really interesting work to think about. Some of your work
is indeed breaking some previously rigid grounds for me...
That's the highest compliment of all. ;-)
You're welcome.
;-)
Boris
