Not entirely true, though. With the DS, I know from experience which
way to move the control wheel to obtain smaller and larger apertures.
I can crank it to the limit, then back off with a precise number of
clicks to the setting I want because I know exactly how much each
click nets me. It's really more the same than it's different.
I think I must ask: On the digital Pentaxes, is the "wheel" really just
a switch that you can move one step to the left or right to get you the
next lower or higher value, then have to release it and move it again
for the next after than, like on (some of) the film bodies, or a true
wheel where you can move several steps by turning in one direction?
- T
- Re: control paradigms Toralf Lund
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