Scott,

I've got and use both the PZ-1 and PZ-1p.
I like the results with slides better on the PZ-1.
The cameras look and feel identical.
The PZ-1 is cheaper probably by $100.
The PZ-1p is a bit faster (3.5 frames per sec. vs 2),
has a more streamlined set of custom functions,
has a wider pop-up flash (28mm vs 35mm), and
makes synchro sunlight flash shots easier.
Both are really great cameras that I like as well as the MZ-S, maybe better.

Are you sure you don't want an LX?

Regards,  Bob S.

On 9/27/05, E.R.N. Reed <[EMAIL PROTECTED]> wrote:
> Scott Loveless wrote:
>
> >I have a K1000, MX, *ist(film), 6 M series primes, and two auto focus
> >zooms.  The *ist's complete lack of metering with the M lenses has
> >become frustrating.  So I'm in the market for a body that will fully
> >support all the K mount lenses I currently own.  The MZ-S is the
> >logical choice here, but the budget (read: wife) says no.
> >
> >I'm considering either an ZX-5(n) or a PZ-1(p).  After digging through
> >Boj's site, I'm still unsure about the differences between the ZX-5
> >and the ZX-5n, and between the PZ-1 and the PZ-1p.  The latter of both
> >models seems to be a bit more desirable, but are the differences
> >significant enough to warrant ruling out the previous models?  Would
> >those of you with experience using these bodies have any
> >recommendations, advice, alternatives, etc.?
> >
> >Also, I've never really understood hyper manual and hyper program.
> >Would anyone care to briefly describe them?
> >
> >
> I own a PZ-1 and used to own a ZX-5n. My own experience with the two
> was, first of all, that my PZ-1 is a very tough camera and my ZX-5n was
> a bit delicate.
> The user interface of the two cameras is *totally* different.
> If you picked up a ZX-5n, with your current experience, probably the
> only thing you'd have to look up in the manual is "how to change the
> ISO" if you wanted to do so manually.
> Not sure if the *ist would help you to understand the PZ-1; I spent an
> afternoon with the manual, the brochure and the Pop Photo review open
> while playing with the camera in order to learn how to use it. But then
> I went on to use it for my work on a college weekly and all of my
> free-lance assignments for the next several years. The only time the
> PZ-1 ever went to the repair shop, it had a small crack in the baseplate
> and so the baseplate was being replaced (not very costly) -- this was
> seven years ago. I've had the camera for almost ten years.
> The ZX-5n -- controls are just like your K1000 and MX except with the
> differences required to support a few more features. I bought my ZX-5n
> nearly eight years ago; it went to the Pentax camera hospital in CO
> twice during the extended warranty period (once for a failure in the
> advance mechanism, once for failure of the pop-up flash); to a local
> repair shop once for a scratched viewfinder (OK, that was my fault) and
> recently was sold after the failure of some internal gear meant it would
> no longer do anything but whirr when the power switch was turned on.
> It's a lovely camera to handle, it's fun to use, but mine just didn't
> seem reliable. Oh, and the lens release button fell off one day, but I
> found it and popped it back into place, so that did not require a trip
> to the repair shop.
> Frankly I would recommend the PZ-1 (or PZ-1p) as they are, IMO, the most
> versatile 35mm Pentax cameras. They have the most features and they are
> fully compatible with all the lenses (with or without aperture ring;
> with or without an A on the aperture ring) -- although they're not the
> only bodies to to be fully compatible, they do have nice features like
> the 1/8000s top speed and 1/250s top sync speed and such. Disadvantage
> -- learning curve, and the fact that they do not have any way at all to
> use AA batteries. (The ZX- series cameras have an optional accessory
> battery pack to use AAs.) They also have only a single autofocus sensor
> (is that the right word?) which is considered "primitive" now with the
> multiple-sensor autofocus available in Pentax and other bodies.
> HyperManual: It's like metered manual -- you adjust shutter speed and
> aperture and the camera gives you underexposure or overexposure
> indicators, but if you press the IF button the camera will set the
> program-recommended shutter speed and aperture for you and you can
> adjust them from there to your liking. (The camera won't set the
> aperture of an M lens, obviously, but I think in that case pressing the
> IF button will cause the camera to set the shutter speed to go with the
> aperture you have set.)
> HyperProgram: It's like Program exposure except that as soon as you turn
> the shutter speed wheel you are in shutter-priority AE, or if you turn
> the aperture speed wheel or the aperture ring, you are in
> aperture-priority AE. You can't use HyperProgram with the M lenses
> because they're not capable of program AE.
>
>
>

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