Thanks Ken. I've been debating whether or not to eliminate the highlights on 
the wet suit water droplets. They do look much better on a print than on the 
computer screen. I printed one copy with the highlights. I may try another 
without them. But as far as the ad is concerned, I'll leave it up to the art 
director should she choose this frame. However, I think she's going to use a 
much tighter shot that emphasizes the necklace to a greater degree. The shot is 
for a jewelry ad.
Paul


> Great execution Paul,
> I can see this as the cover of a water sport magazine. 
> I would eliminate the water spots on the wet suit tho - distracting to me.
> 
> Kenneth Walller
> 
> -----Original Message-----
> From: Paul Stenquist <[EMAIL PROTECTED]>
> 
> Subject: PESO: The Jewel of Sylvan Lake
> 
> I've been hogging bandwidth a bit with pesos, but I think some will 
> find this interesting. This is a case where I intentionally burned the 
> highlights. Iit's also a picture of a pretty girl, which makes it 
> worthwhile in itself. For the background, I wanted the water to range 
> from medium gray to a blast of hot, white light where the water was 
> hitting it behind the model. I used the Sigma 500 Super in high-speed 
> mode to counter the intense backlight. The lens is the superbly 
> flare-resistant FA 50/1.4. The numbers are ISO 200, F3.5 @ 1/4000th.
> http://www.photo.net/photodb/photo?photo_id=3778030&size=lg
> 
> 
> 
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