On 11/14/05, Boris Liberman <[EMAIL PROTECTED]> wrote: > Frank, it does not work really for me... I'll try to explain. > > I see two men, but only one face... Both men are busy playing their > instruments... The man with the bass is of course more interesting > 'cause the exposure is long and the movement is there... However I don't > see his face. The other man is half-smiling half-looking at you... He > gets significant part of my attention. > > So may be it would be logical here to say that my attention is broken > into two pieces and I cannot unite them. > > Technically as usual, it is very good, but I think I should actually > stop saying that ;-). > > Hope you don't mind my brutal honesty. >
Boris, If you read down the thread, you'll see that I printed a "retraction", insofar as I don't really like it much either. I think maybe I was happy to photograph one of my favourite musicians, and that I really wasn't being objective. It's not much of a photo! <g> Since I've not been taking many photos lately, I decided to "look into the archives" to get something to post; I chose wrong. I've got another Pirate Jenny photo to post (maybe later this week), and next week I'll be getting back another from the same concert as the photo posted in this thread - maybe I'll post it, maybe not. I'm having fun shooting with the Yashicamat, but it's slow, and I can't really take what I want, and as much as I want. I'll be happy to be able to get out and shoot 35mm again. Thanks for your comment. cheers, frank -- "Sharpness is a bourgeois concept." -Henri Cartier-Bresson
