Hi! Frank, I have just one more point to make in regard to what you've said here:
> That stuff really doesn't interest me. Never has, never will. I'm > not a pro. I like using my camera as a means of expressing myself, > but once the photo's taken, I take the roll to a lab, and say, "here, > develop this for me, will you?" Since Robert my lab guy does what I > think is a fine job of printing stuff up for me, and I'm happy with > those results (don't judge them from my inferior scanning technique, > please), that's the extent of my involvement with processing and > post-processing. Frank, what if G-d forbid Robert quits. Further, say his replacement is not as good as Robert was. In fact so much not as good as to make it impossible for you to deal with this lab. Exactly this kind of reasoning led me to go the digital home based darkroom road. You're really lucky to have a good developer available to you... I just submitted a 120 film to *professional* lab here in Tel Aviv. The outcome that some of the better shots on the film were ruined by bad placement of the film in the machine. There is significant color stripes that simply render my images useless... Just for the record, Jostein, if you're reading this - they ruined some of the shots we made on our way to Mitzpe Ramon - where I took my folder with me... Both Godfrey and you, Frank, are quite right. I mean your approaches are valid... But my little notice stands... -- Boris
