No one can reduce a subject to its basics any faster than I.
Are you contending that a 1.5mp jpeg will render the same detail as a
6mp RAW?
Does a fine jpeg capture the same image detail as a RAW or TIFF?
I know I'll still be confused after your learned answer, but please
bear with me.

Thanks,

Jack

--- Bob Sullivan <[EMAIL PROTECTED]> wrote:

> Jack,
> My understanding is that RAW gives you more shades of colors in
> eachpixel and more opportunity to adjust colors in post production,
> butjpeg or RAW, you still have 6 million pixels to work with...no
> more,no less.  So I look on RAW as just a way to get better post
> processedimages, not anything to improve resolution.
> On resolution, Rob S. has done some great pano's and the
> stichingprogram he is using is rather slick.  I'm getting this
> picture (4portrait oriented shots
> stiched)members.aol.com/rfsindg/curve.jpgprinted from a 3,000 by
> 5,000 jpeg shot with my *ist DS.We'll see how it looks at 20 by 36
> inches.
> Regards,  Bob S.
> On 11/28/05, Jack Davis <[EMAIL PROTECTED]> wrote:> Bob,> Since I
> recognize my "unhealthy" need for the highest possible> resolution,
> (always ready to furnish a 16x24 by next week) I would> probably
> shoot RAW in case I caught a real "keeper".> Because of my
> satisfaction with my inventory of Pentax glass, I'm> prepared to W A
> I T (Nikon, however, is faintly calling) for more> Pentax pixels and
> to consider reviews and practical experience> reactions prior to a
> decision.> The practical advice to not look at it as an "either-or"
> decision will> be followed.> All sage advice y'all have generously
> offered is greatly appreciated.>> Jack>>> --- Bob Sullivan
> <[EMAIL PROTECTED]> wrote:>> > Jack,Just shooting for my own
> enjoyment, but Cotty made a good> > suggestion to me.Shoot high
> quality jpegs and don't look back.The> > jpegs are 1.5 meg.  Burning
> 1,000 of them takes 2 or 3 cd's.I don't> > hassle with a digital work
> flow.  Cropping is about all I try to> > do.What I've wanted to!
>   re-shoot so far has been technique errors on> > my part.Stick your
> toe in the water with a *istDS and see how it> > works.Regards,  Bob
> S.> > On 11/28/05, Jack Davis <[EMAIL PROTECTED]> wrote:>> I'm all
> mulled> > out over film v digital. I'm a semi-pro (I guess) as> print
> sales> > (web and brick 'n mortar) is not my only sours of income,>
> but is my> > only overt effort at income.> I can afford a casual
> attitude as to> > "work-flow", (habitually re-shoot,> bracket,
> re-compose) covet my> > negs/slides and have no problem with the>
> processing/scanning/CD> > ritual or their costs.> Recently sold my MF
> gear and am at an photo> > investment crossroads.> I visualize photo
> trips, wherein my motel> > relaxing, moose milk drinking> evenings
> become a sleep-depriving> > delima of "delete?, save?, re-work?,>
> re-shoot?...."> Minor point?> > Maybe.> I do like the cleaner overall
> look of many digitals, but am I> > in> love..I'm really not sure.> I
> realize no one can decide for me,> > but!
>   would appreciate your take.>> Thanks, in advance, for> >
> commenting.>
> > Jack>>>>>> __________________________________________>> > Yahoo!
> DSL – Something to write home about.> Just $16.99!> >  /mo. or less.>
> dsl.yahoo.com>>> >> >>>>>>> __________________________________>
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> 



                
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