It's that consistent bothersome "color cast" that caused myself and a
number of like responders to end our use of the film some time back.
I use Provia 100F and my favorite, Astia 100F. Much closer to what my
fuzzy eyes like.

Jack

--- Pål Jensen <[EMAIL PROTECTED]> wrote:

> 
> ----- Original Message ----- 
> From: "Jack Davis" <[EMAIL PROTECTED]>
> 
> > You're, of course, right in your statement that no image capture
> will
> > "exactly" replicate nature as presented to one's eye.
> > All is relative. 'Close to honest' is my standard in this medium.
> > I, also, agree that Velvia's greens and yellows are less offensive
> than
> > others in this film's unique spectrum.
> > I'm re-posting the original image requested by Kostas. This gives
> you
> > the chance to review the offending hues mentioned.
> > Saturation, in it's self, shouldn't be condemned, but the eye can
> not
> > be tricked beyond a point frequently ignored by many shooters
> unable to
> > resist the 'power' offered through PS.
> >
> > http://photolightimages.com/aspupload/detail.asp?ID=96
> 
> 
> 
> Theres seem to be a magenta cast in this image. It is, however,
> impossible 
> to say if it is supposed to be there or not. Remember that the brain
> filters 
> out (most) color cast of the light while film doesn't. There might
> have been 
> magenta cast to the clouds (hence the light) for all we know. Anyway,
> Velvia 
> do not suffer from magenta cast and if it does there might be
> something with 
> the processing. It is basically impossible to tell.
> The fact is that Velvia dosn't really display color cast. Kodachrome
> are 
> often magentaish or greenish. Provia often steel blue etc...but
> Velvia is 
> just saturated. However, due to its high saturation the color of the
> light, 
> often invisible to human eyes, might get accentuated.
> 
> 
> Pål 
> 
> 
> 


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