> I hope this somewhat answers youre question.
Yeah. Sure did. I learned something. Thanks.

I ask, therefore I am ;-)


Tim
Mostly harmless (just plain Norwegian)
 
Never underestimate the power of stupidity in large crowds 
(Very freely after Arthur C. Clarke, or some other clever guy)

> -----Original Message-----
> From: herb greenslade [mailto:[EMAIL PROTECTED]
> Sent: 22. mars 2006 20:43
> To: Pentax User's group
> Subject: Re: How do you select your camera for the day? was: OT: Non-
> Pentax eBay Auction Question
> 
> Hi Tim
> 
> I use the Leica for b&w using Ilford 3200 ISO film. I've used this film
> from 800 ISO to almost 12800 ISO depending on the lighting.
> If I take my LX, I use Fuji Press 800 ISO pushed one stop. I do this
> primarily to distinguish the artist from the background.
> 
> I use film almost exclusively when I am seriously shooting these events.
> 
> I have experimented with the *istDS, most recently I've shot at ISO 3200
> with a 1 stop overexposure and this has given me a
> satisfactory result. Note that I prefer to convert all colour into b&w.
> 
> My images sometimes tend to be soft because of artist movement, and
> difficulty in focusing in low light (the rangefinder of the Leica
> is a great help). Of course, the big grain also does its share in
> lessening image quality. I'm also foolish enough much of the time to use
> my older f4 Pentax lenses on the *istDS handheld.  I have no idea
> whatsoever why the club(s) I inhabit have such poor lighting, and
> then when they do happen to improve on it, the lighting manager or artist
> lowers the intensity, or plays in the shadows :-)
> 
> >but why do you change to the Leica when the lighting is extremely bad at
> concerts?
> 
> I have much better latitude with film than with digital, also there is the
> "noise" issue when shooting at high ISO. Noise doesn't have
> the same quality as big clump grain which usually is tolerated in bad
> lighting conditions.
> 
> I hope this somewhat answers youre question.
> 
> herb
> 
> Tim Øsleby wrote
> Wed, 22 Mar 2006 09:32:11 -0800
> 
> >This may be a naive question, but why do you change to the Leica when the
> lighting is extremely bad at concerts?
> What I have noticed is that my DS has problems when the light is very red.
> Is this what you refer to when saying this, and does the Leica Fuji press
> handle this differently?
> 
> 
> 
> 




Reply via email to