I find that with the shadow/highlight tool set to advanced, it offers a
great deal of control. Not only can the amount of adjustment be
changed, but the threshold of adjustment as well. It's basically
another way of using curves, with the added advantage of a saturation
adjustment and a mid-tone contrast adjustment built in. In other words,
it weaves a complex combination of curve adjustments. I've gotten
quite comfortable with it.
Paul
On Apr 20, 2006, at 7:55 PM, Godfrey DiGiorgi wrote:
I've not yet gotten comfortable with the shadow/highlight tool. It
seems to take control away from me, I can get what I want more
specifically with the Curves adjustment layer and masking, a soft
edged brush.
Probably my own issues with dependence on a black box... ;-)
Godfrey
On Apr 20, 2006, at 3:57 PM, Paul Stenquist wrote:
Thanks I'll try that. Could probably do the same in shadows/highlights
