Well, film scans will either set you back a lot of
money, or a lot of time and a little less money (if
you buy a film scanner).  I just did a shoot for our
church that was partly digital, partly film (because I
wanted to use my fisheye zoom), and I'll tell ya, the
film part of that shoot is a pain in the ass.

I love shooting slides, but geez, the ist D and the
digital pix are sure easier to work with.

Rick

--- [EMAIL PROTECTED] wrote:

> Hmmm. Good scans are going to set you back a bunch.
> The scans you get from a typical mini lab might not
> be adequate for professional work. Perhaps it's time
> to jump.
> Paul
>  -------------- Original message
> ----------------------
> From: "Scott Loveless" <[EMAIL PROTECTED]>
> > So I landed a job doing some interior and exterior
> architectural
> > shots, plus some staff portraits and candids of
> the daily grind for a
> > local company.  (Actually, it's a national chain,
> but I'm only doing
> > one branch.)  As most of you know, I'm kind of a
> Luddite and have
> > refused to jump into the digital realm with both
> feet.  Of course,
> > they don't want prints.  They want about 50 photos
> on CD to use for
> > promotional purposes - their own stock photos,
> basically.  ARRRRGH! 
> > Looks like I'll be paying the lab to scan the
> film.
> > 
> > Such is life.
> > 
> > --
> > Scott (dammit) Loveless
> > http://www.twosixteen.com
> > 
> > --
> > "You have to hold the button down" -Arnold Newman
> > 
> 
> 


http://www.photo.net/photos/RickW

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