Hi Bob,

I think you're painting a generalization with way too broad a brush. 
Taking the PDML, for example, there were some early adapters ~of the Pentax
DSLR~ and a lot of people hung back, waiting to see how things would shake
out while assessing their needs and desire.  Many had been playing with
digital quite a while before taking the plunge and purchasing a DSLR,
whether it be Pentax or otherwise.  My first digital camera was a Sony
Mavica, purchased in, I believe, 1999 or early 2000.  I upgraded to a
better camera a couple of years later, and finally got my first DSLR about
9 or 10 months ago.  It was not a hasty decision, nor was I following the
herd.  I'd taken the time to visit with John Francis to see how his istD
worked, got lots of raw files from list participants and played around with
them in the raw converter for quite a while, spent a day with Bruce using
his istD and getting some education about exposure, submitted my raw
conversions and pics to the list for comment and criticism, visited a few
stores to try other brands of cameras, used other brands from friends and
list members, and only then decided to get an istDS.

There are numerous people on the list that followed a similar path, and
several of my friends are doing the same thing, and are waiting for the new
cameras to finalize their buying decision.

While i think that a lot of marketing and hype was behind the push towards
digital, I don't think it would have been embraced so completely  did it
not offer something of value.  One of the things that surprised me was the
number of long time Leica shooters who moved to digital long before Leica
even had a P&S.  They mostly moved to Canon so they could use their Leica
glass, and many have now moved to the new DMR back.  Some still shoot film
as well, but the move to using digital has been stupendous AFAIC.  And
these people had a ~lot~ to think about because they were giving up very
expensive systems, or adding very expensive additions to their camera gear.

I'm not suggesting that some people don't follow the lead lemming, but I
think you're being way too general.

Speaking only for myself, but hearing echos in the hallway, I'm having more
fun with the DSLR than I ever had with film cameras, I've loosened up, and
while not all my photos are compelling documents, as I once tried to
produce, when i come home from a day of shooting I'm excited to see what
the results will be instead of suffering artistic angst over the needed
processing of film.  

Of course, you may find that such is not the case for you.  But at least
you're giving it a chance.

Shel



> [Original Message]
> From: Bob W 

> For the avoidance of doubt, I'm not rejecting it or being grumpy. I'm
> finding out about it with a view to making a fairly rational decision.
> It seems to me that the difference between my approach and the
> approach taken by most of the people I know is that I am thinking hard
> about it before I make the decision, so I will at least know in
> advance what I'm letting myself in for. 
>
> It seems to me that if more people had given it this kind of
> consideration film would not be dying. Inside they have allowed
> themselves to be herded by the electronics manufacturers who have an
> interest in short product cycles which trap customers into frequent
> high-dollar repurchases for minimal additional benefit.



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