Godfrey DiGiorgi wrote:
> On Jul 5, 2006, at 3:20 AM, Toralf Lund wrote:
>
>   
>> But, but, isn't a similar trick available for digital? Can't you just
>> reduce the gain a bit and try to get an exposure "in the middle" (with
>> the same exposure) rather than aiming for an exposure "to the right"
>> (with a somewhat higher gain setting)?
>>     
>
> If you understood what I already wrote ,
Sorry, apparently I didn't look at the post with proper explanation 
earlier. I think I've found it now?

So, essentially what you are saying is that you want to retain the data 
"exposed to the right" past the gain phase because that can only scale 
the values in a linear fashion, while the RAW conversion is non-linear? 
(And non-linear in such a fashion that an input where the low-range of 
values are "stretched" is advantageous.)

>  or the LL article,
I don't think that explains the above distinction very well, and it 
seems to be talking mainly about signal-to-noise ratio, which is a 
somewhat different consideration from the one you mention.

One minor point, though: Do you actually know that the CCD has 4096 
different values? I mean, the A/D gives you that, and you obviously 
expect that to be matched to the CCD, but I've been thinking that it may 
make sense (partly due to the gain etc. involved) to keep the sensor 
resolution slightly higher that the one of the A/D. If it is set up like 
that, obviously you want to do as much of the scaling/"exposure 
correction" as you can in the analogue domain, as you'll retain more of 
the dynamics in the digital output that way...

- Toralf




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