Shel,
My impression is that it doesn't get more difficult with larger
images, and not more tedious either. After all it's just a matter of
brush size. What always happens to me, though, is that with larger
images i start paying more attention to minute detail, and that's when
the workload builds up.

Jostein



On 7/16/06, Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> I've used "extra canvas" before, sometimes when straightening a tilted
> photo or when just needing a little extra breathing room along an edge or
> two, but I never tried adding and removing something as done in this case.
> I'm not sure if the small size of the image made it easier or more
> difficult to do.  Will have to try it on a larger image.  Coincidentally,
> I'd been reading a chapter in Eismann's book in which she "tailored" a
> jacket to better fit the subject.  I guess on at least one level i was
> ready to try doing something like this.  Glad you posted the suggestion..
>
> Shel
>
>
>
> > [Original Message]
> > From: Paul Stenquist
>
> > Excellent. Very good work.  It's quite easy, isn't it? And it can
> > save a poorly framed photo. I also use this technique to eliminate
> > elements I don't want. I cloned out a couple of blooms on my recent
> > "ballet" flower pic. But for situations like this, the extra canvas
> > can be a savior.
>
>
> > Shel Belinkoff wrote:
> >
>
> > > I never tried cloning and manipulating a photo in such a manner.
> > > I gave it a try using some of my own patented techniques
> > > <yeah, right!>.    What do you think?
> > >
> > > http://home.earthlink.net/~morepix/cloneshower.jpg
> > >
> > > Good or bad, your instructions provided the impetus to give it a try.
>
>
>
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