Hi Godfrey,

Thanks for posting the images.

Regards

Patrick

On 9/25/06, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> Had the moment last night to put up a couple of samples for you.
>
> The only processing done to these two image files' full-rez rendering
> was RAW conversion with Camera Raw v3.5 to the parameters shown.
> The .DNG files are also provided for you to fool with if you desire.
>
>   http://homepage.mac.com/godders/DS-ISO1600/
>
> Godfrey
>
> On Sep 22, 2006, at 12:30 PM, Patrick Genovese wrote:
>
> > Hi Godfrey,
> >
> > I would really apreceate it if you can you put up some 100% crops from
> > some iso 1600 shots on the DS ideally without having applied NR so as
> > to see the "natual" noise.
> >
> > On 9/22/06, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> >>
> >> On Sep 22, 2006, at 9:42 AM, Patrick Genovese wrote:
> >>
> >>> I am very very very tempted to place an order for a K10D.  The only
> >>> thing holding me back ist that up to now we have not seen a single
> >>> sample image.  Does any one have any updated info in this respect.
> >>>
> >>> My better half is also a photographer so finances permitting we may
> >>> even be in the market for 2.  But boy would i like to see some
> >>> samples.  Committing to approx 2k's worth of equipment without a
> >>> good
> >>> feel for what the camera's capable of seems like a GIANT leap of
> >>> faith.
> >>>
> >>> My biggest concern is theatre photography -- It will be used
> >>> extensively for theatre shots and i'm a bit concerned with high iso
> >>> noise and the fact that the maximum iso is 1600 as opposed to
> >>> 3200....
> >>>  I know the SR will help me out but OTOH performers don't just stand
> >>> still so the higher shutter speed may still be required to stop
> >>> motion
> >>> blur.
> >>
> >> I have no concerns with K10D image quality. Pentax has done an
> >> admirable job with even their lowest-end bodies on noise and imaging
> >> quality so I trust they will not release a camera which does not come
> >> up to snuff. I don't need to see samples taken by DPReview or other
> >> sources with even more dubious testing credentials. Basically, if the
> >> camera comes in and turns out to be a total disaster, I'll return it
> >> and keep using the DS bodies, rethink future equipment plans. I
> >> honestly think there's no chance of that happening.
> >>
> >> I don't know about your take on theatre photography ... what I'm
> >> normally dealing with when it comes to theatre is middling bright
> >> total illumination and lots of contrast. ISO 200-800 is MORE than
> >> enough sensitivity with an f/2.8-f/4 lens wide open, the real
> >> challenge for me has always been how to keep from over-exposing the
> >> actors while still nabbing enough exposure for shadow areas. ISO
> >> 1600, clean and easy to work with on the *ist DS, has provided
> >> additional flexibility but I've only rarely used it for this kind of
> >> work, produces excellent quality. ISO 3200 is only just usable for me
> >> on the DS, and mostly if I'm intending to render to monochrome.
> >>
> >> Godfrey
> >>
> >> --
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> >> http://pdml.net/mailman/listinfo/pdml_pdml.net
> >>
> >
> >
> > Regards
> >
> > Patrick
> >
> > --
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>
>
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-- 
Regards

Patrick Genovese

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