[EMAIL PROTECTED] wrote:
> On Oct 4, 2006, at 4:56 PM, Gonz wrote:
> 
> 
>>>Why not just adjust the white balance until it is correct and never
>>>mind what color temperature the RAW converter wants to report?
>>
>>Because its nice to start with a reference you know and adjust from
>>there, instead of blindly moving the white balance around until you  
>>like it.
> 
> 
> In Camera Raw, use the grayscale eyedropper on a segment of the photo  
> that you feel represents a medium-light gray tone. ACR will set the  
> color temperature and tint to match that to a reference value for a  
> medium-light gray, which should make whites look white and that spot  
> look gray if your monitor is properly calibrated and you've set up  
> your color preferences correctly. Make fine tuning adjustments from  
> there.
> 
Of course, the eyedropper can be handy, I use it alot.  But not every 
pic is going to have something with grey (equal RGB values).  In the 
pictures I was working on , this was the situation.  Its a pain to have 
to hunt around the white balance space to get what you want when you 
know what the kelvin temp is roughly.

> If you haven't got a calibrated monitor setup and/or haven't set up  
> your color preference, anything you see on screen is likely to be off  
> any expected color temperature/color cast setting...
> 
Thats not the situation in this case.  The monitor was calibrated not 
long ago, and everything else works fine, including old PEF files from 
my *istD.  These colors (with the Pentax converted DNG) are very off.

> Godfrey
> 

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