On 14/10/06, graywolf <[EMAIL PROTECTED]> wrote: > Also, for landscape work. That is how you get everything from the blades > of grass in front of the camera to the mountains in the background > sharp. Folks ought to read a good book on view camera techniques just so > they will know what can be done, even if they have no interest in doing > it themselves. A tilt shift lens gives you the movements of a press > camera (front only), not those of a full view camera which has front and > back movements. As for Photoshop, a kludge is better than nothing, but > it ain't the real thing.
On static subjects a combination of image combining (can secure infinite DOF at wide open apertures if required and/or ultra-wide latitude) and multi-row image stitching of even relatively low res digi shots will even put LF in the shade now. Granted the it's tedious to do manually but there are some really nice automation kits out there for serious work. http://www.peaceriverstudios.com/pixorb/index.html http://www.roundshot-deutschland.de/english/karline_rodeon_modular.html -- Rob Studdert HURSTVILLE AUSTRALIA Tel +61-2-9554-4110 UTC(GMT) +10 Hours [EMAIL PROTECTED] http://home.swiftdsl.com.au/~distudio//publications/ Pentax user since 1986, PDMLer since 1998 -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net
