A photo's emotional, expressive content outweighs any technical  
notions of noise or grain. It all depends on the particulars of a  
specific photo.

Godfrey

On Nov 23, 2006, at 12:25 PM, Adam Maas wrote:

> With the right shot, even 3200 is quite usable. I've got a very  
> nice 16x20 on the wall, shot with the D at 3200. No NR or anything.
>
> -Adam
>
>
>
> Paul Stenquist wrote:
>> I'd definitely be happy with a print from a noisy ISO 1600 shot. I've
>> printed quite a few. To me, it's quite similar to grain. It looks
>> very nice in Bw. And, yes, I've sold some very noisy stock photos.
>> Art directors are strange animals. Frequently, they look for
>> something other than the usual or ordinary. Sometimes, grain or noise
>> works very well.
>> Paul
>> On Nov 23, 2006, at 12:26 PM, Markus Maurer wrote:
>>
>>
>>> Hi Paul
>>> while I agree that scanning negatives is a pain for me (doing it
>>> now) your
>>> latest high iso photo samples did not convince me noise wise. Could
>>> you sell
>>> such photos or would you be happy with a print from iso 1600? The
>>> SR feature
>>> of the K10D seems to be very useful on the other side as your
>>> latest lovely
>>> photo of grace easily showed.
>>> greetings
>>> Markus
>>>
>>>
>>>
>>> -----Ursprungliche Nachricht-----
>>> Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Auftrag
>>> von
>>> Paul Stenquist
>>> Gesendet: Donnerstag, 23. November 2006 13:59
>>> An: Pentax-Discuss Mail List
>>> Betreff: Re: Printing Digital Photos
>>>
>>>
>>> Yeah, it's pretty hard to go back to scanning film once you've  
>>> been to
>>> the mountain.
>>>
>>> On Nov 23, 2006, at 1:29 AM, Doug Franklin wrote:
>>>
>>>
>>>> Howdy, folks,
>>>>
>>>> Well, today, I had my first real experience printing digital photos
>>>> captured on digital.  I'm using the same Epson Stylus Photo 820  
>>>> that
>>>> I've been using the last several years, and I'm still on  
>>>> Photoshop 7.
>>>> My system is well enough color-calibrated that I don't think twice
>>>> about
>>>> whether the print will match what I saw on screen.  That's largely
>>>> luck
>>>> or something, but that's another story.
>>>>
>>>> The story is that for irrelevant reasons, I've been called upon to
>>>> generate 8" x 10" prints from some photos I shot with the *ist  
>>>> D.  I
>>>> suddenly realized a few minutes ago that this was the first set of
>>>> prints I'd made from images captured directly to digital.
>>>>
>>>> In the past, I've done a lot of capturing and printing of digital
>>>> images, but it was always in workflows mediated by film.  Shoot on
>>>> film.
>>>> Scan to digital.  Digital workflow from there to prints.
>>>>
>>>> I've been scanning the film at 4000 ppi, and spending untold  
>>>> hours of
>>>> angst dealing with "Nyquist noise" ("grain aliasing").  I'm used to
>>>> having to dink with the levels extensively, or resort to curves  
>>>> a lot
>>>> of
>>>> the time, nontrivial amounts of "spotting" for dust and such.  I'm
>>>> used
>>>> to having to apply some Gaussian Blur before the Unsharp Mask  
>>>> will do
>>>> what it ought to do.
>>>>
>>>> All I can say is "WOW!".  Generating good to excellent prints took
>>>> about
>>>> 90 seconds each ... load in PS, crop, 15 seconds in levels, set  
>>>> image
>>>> size for print size, print ... about 0.01 of the time I'm used to
>>>> doing
>>>> to get a decent print of a film image scanned to digital.  "WOW!"
>>>>
>>>> --
>>>> Thanks,
>>>> DougF (KG4LMZ)
>>>>
>>>> --
>>>> PDML Pentax-Discuss Mail List
>>>> [email protected]
>>>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>>>>
>>>
>>>
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>>
>>
>>
>
>
>
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