Yes, that's it. :)

Nick

----------
>From: "Mick Maguire" <[EMAIL PROTECTED]>
>To: <[EMAIL PROTECTED]>
>Subject: RE: Push 101
>Date: Thu, Sep 13, 2001, 12:31 PM
>

> Thanks Nick! So just to clarify... I would underexpose (say a 400ASA film at
> 1200ASA), then tell the lab I required push processing quoting what ASA (in
> this case 1200) I had exposed the film at?
>
> Regards,
> /\/\ick...
>
>     +----------------------------+
>  __/)   Mick Maguire             |
> ((((|   Email: [EMAIL PROTECTED]  |
> (\\\\_/)  ICQ: 48609010          |
>  \    /                          |
>   \  /---------------------------+
>
>
>
> -----Original Message-----
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Nicholas Wright
> Sent: Thursday, September 13, 2001 12:44 PM
> To: [EMAIL PROTECTED]
> Subject: Re: Push 101
>
>
> Pushing your film is exactly what you said. You underexpose it in the
> camera, then overdevelop it. My pic of the week (http://www.wrightfoto.com/)
> was shot on ISO 400 film which I pushed to 1600. At 400 that brand of film
> in my delevoper requires 6.5 minutes of developing (I think), at 1600 it
> took 9.5 minutes. Any pro lab worth the money that you pay them will be able
> to push film. The reason that I do this is simply to have more sensitive
> film, when I need the extra speed but don't have access to normal high speed
> film. Many ppl push film to get grainy artsy effects. Some films have really
> bad grain when pushed. Speaking of which I should say that Ilford's HP5+ (my
> most loved film) can be pushed to ISO 3200 with better results (to me) than
> Ilford's 3200 Delta...
>
> Nick
>
> ----------
>>From: "Mick Maguire" <[EMAIL PROTECTED]>
>>To: "Pentax-Discuss@Pdml. Net" <[EMAIL PROTECTED]>
>>Subject: Push 101
>>Date: Thu, Sep 13, 2001, 10:34 AM
>>
>
>> OK, I don't count myself new to photography by any means (been using a
>> camera for 20 years or more), but I have only recently been looking at it
>> much more seriously. Can somebody give me a "Push" 101? All I know is it
> is
>> to do with exposing and/or developing film at a different speed to what it
>> is sold as. Or at least that's what I think. How and why would I do this
>> exactly, and how would I relay this info to the lab?
>>
>> I am intrigued!
>>
>> Regards,
>> /\/\ick...
>>
>>     +----------------------------+
>>  __/)   Mick Maguire             |
>> ((((|   Email: [EMAIL PROTECTED]  |
>> (\\\\_/)  ICQ: 48609010          |
>>  \    /                          |
>>   \  /---------------------------+
>> -
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